Sadie Starnes, “The Panopticon, The Pill and The Practitioner: David Byrd and Peter Gallo”, Artcritical, December 21, 2015

Sherman Sam, “Peter Gallo”, ArtReview, January-February 2015

Daniel Gauss, “TAKE BACK VERMONT! Zieher Smith & Horton Gallery”, Artefuse, January 23, 2015

Justin Sanders, “L’Homme Blessé (Self-Portrait)”, Pulse, January 9, 2015

Colin Gleadell, “Art market news: Italian art flies high”, The Telegraph, October 21, 2014

Aidan Dunne, “Peter Gallo’s intensely personal art of chicken bones and ‘skin’”, The Irish Times, October 14, 2014

Jonathan Goodman, “Peter Gallo”, The Brooklyn Rail, February 2012

Holland Cotter, “An Upbeat Moment for a Downtrodden Area”, New York Times, Dec. 7, 2007

Matthew Higgs, “Looking Back: Most Significant Emerging Artist of the Year”, Frieze, January-February 2006

Sarah Valdez, “Peter Gallo at White Columns,” Art in America, December 2005

Roberta Smith, “Making an Entrance at Any Age”, New York Times, May 6, 2005

James Yood, “Review: Peter Gallo”, Artforum, February 2005

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